00:42:32 Kara ZumBahlen (she/her): We'll put a direct link with the posted materials, too: https://new.artsmia.org/programs/teachers-and-students/teaching-the-arts/native-art-native-voices 00:46:35 Bill W.: And ... what is her community? 00:47:22 Kara ZumBahlen (she/her): Iháƞktȟuƞwaƞna Dakhóta, Standing Rock Reservation, born 1854 00:47:22 Manju Parikh: Are there Christian symbolsa/ 00:48:27 Connie falvey: What year did she make this? 00:48:46 Kara ZumBahlen (she/her): It's dated 1880-1910 00:50:52 Kara ZumBahlen (she/her): Check out Gallery 303 for more of his works: https://collections.artsmia.org/art/4763/emerging-fire-george-morrison 00:51:00 mary: I’ve read that Morrison preferred Chippewa. 00:54:13 Maryam Marne Zafar: GM … Actually George Morrison wood abstracted collages originated on the East coast (as seen in the major exhibit of his work at The M in downtown St. Paul). They were small and created in Provincetown and were his beginnings to these larger oversized works 00:54:41 Maryam Marne Zafar: This was ion the 1950’s when he was living in NYC. 00:56:33 J. Lynn's iPad: GM also paid kids to find drift wood on the beach. His criteria was that the pieces be interesting. …from Turning the Feather Around 00:58:15 Kay Miller: Exhibition in 2014 at the Mn History Center. Our Lake Superior painting was in that show 00:58:28 Mary Costello: That was at the MN History Center 00:58:34 iPad (29): Big exhibition in Fargo about 7 years ago 00:58:39 Maryam Marne Zafar: Always good to compare & contrast his landscape paintings of the North Shore against his wood landscapes 00:58:39 iPhone: The Histiry Center had a very large Morrison history. 00:58:48 mary: Morrison was a member of the Grand Portage Bank of Lake Superior Chippewa. 01:03:19 Kara ZumBahlen (she/her): We can check in with Jill on Morrison's information. I believe she is pretty careful about such designations, so she may have more information for us. 01:05:17 Kara ZumBahlen (she/her): Here's Jamie's online shop and webpage: https://www.jokuma.com/ 01:11:23 Bill W.: Much beautiful bead work ... do we know where beads were manufactured? 01:13:22 Rose: How does woodland shirt represent French connection? 01:15:00 Maryam Marne Zafar: Glass beads originated in Venice however the most used came from Bohemia, France, England. 01:15:32 Maryam Marne Zafar: Before beads from Europe beads were made with tools of stone and abrasives. 01:16:33 Maryam Marne Zafar: And before beadwork there was quillwork which was much more labor intensive and allows for created swooping curved designs. 01:18:56 Kara ZumBahlen (she/her): Here is a Bead Timeline: https://collections.peabody.yale.edu/anthropology/beads-world/bead-timeline-labor-love.html 01:33:52 iPad (29): How would wearing these make you feel 01:34:06 J. Lynn's iPad: Where would you wear them? 01:34:59 Kay Miller: What would you wear with these shoes? 01:36:50 Kay Miller: Great place to trace the specific trade route - and its length and partners - for the New Perce 01:38:09 Lyn: Thank you for a delightful lecture!! 01:38:33 J. Lynn's iPad: Thank you! 01:38:44 Debbie: Thanks much for the great discussion 01:38:56 Mary M: Thanks for all the great info! 01:38:57 Sue: Thanks Amanda! Good connections throughout your presentation. 01:39:02 victoria neis: Thank you