00:24:55 Mary Ann Wark: Do teachers who bring the kids to mia know about this resource before they come? 00:25:07 Kara ZumBahlen (she/her): https://new.artsmia.org/programs/online-resources 00:25:12 Debbi: Please mute your microphones to improve the sound 00:31:31 Kara ZumBahlen (she/her): Mary Ann, I think if you are giving a tour on this subject, you could make teachers aware of it before the tour. I don't think all teachers are necessarily aware of it. 00:39:19 Josephine Owens: I recommend Minor Feelings by Cathy Park Hong. She recently gave a Hennepin Library talk. 01:05:55 Kara ZumBahlen (she/her): On the supporting documents for the tours, we also are providing additional research resources (such as the meaning of symbols in Imperial Chinese artworks). Tour slides and supporting documents are going to be posted on the Guide website, under School Guides/Topics for School Tours. 01:09:08 Mary Merrick: Fantastic presentation - can hardly wait to delve in. 01:09:11 Margo: Thank you, that was so interesting. 01:09:29 Lisa Mayotte: Great job, Sheila! 01:09:32 iPad Air (4th generation): Thank you Sheila- that was great! 01:09:33 Vicki Klaers: Thank you for a great overview! 01:09:35 Josephine Owens: With Kondo Takahiro I like to share that he was born into a family of traditional blue and white porcelain artists and found his own style. His grandfather, Kondo Yuzo, was given the title of Living National Treasure for underglaze cobalt blue wares. The challenges of being an artist who is a child of another artist and how we may struggle to find ways to be an individual/find our own identity. 01:09:36 Jeanne Lutz: Thanks, Sheila—that was great! 01:09:37 kristenmcdougall: Great tour, how long did it take? 01:09:46 Josephine Owens: Very helpful site! 01:09:55 kristenmcdougall: It seems like to much to fit in an hour! 01:10:30 Gordy and Maggie Rosine: From: Maggie to Everyone 01:10:49 Manju: Should we attempt build a theme? 01:10:52 Gordy and Maggie Rosine: Opps, forgot the message - great presentation 01:11:00 Victoria A.: Sheila, Thank you so much for this tour. Appreciate contemporary art. 01:11:27 Maryam Marne Zafar: All important information and appreciate the diversity though I agree with JeanAnn that I would use fewer art works to allow for more discussion. 01:14:19 Jeanne Lutz: lol 01:14:30 Margo: I would love to walk it with you! 01:14:33 Kay Quinn: Don’t want Mary Ann’s question to get lost. Twin cities has highest Somali and Hmong populations. It’s embarrassing when giving a tour that we have their art, but choose not to display it. In the spirit of diversity and inclusion! :) 01:14:54 Maryam Marne Zafar: So… no more specific cultures tours? 01:15:07 Kay Quinn: Thanks!!!!! 01:15:16 Maryam Marne Zafar: OK 01:18:31 Victoria A.: I believe the Liberian community population numbers are maybe around 20,000 in MN 01:19:18 Maryam Marne Zafar: Yes … this is correct! 01:31:51 Elizabeth: Will you be covering the difference between modern & contemporary art? 01:32:29 Victoria A.: This is Victoria A. - I worked with the Liberian community and police in Brooklyn Park and Brooklyn Ctr some years ago. It was to enhance engagement and resolve conflicts over a few months. It was excellent work they all did. 01:35:07 Kara ZumBahlen (she/her): Thanks for sharing, Victoria. It's good to know of effective community work of that nature! Let's hope there is more of that in the future. 01:36:13 Lyn: Starting with asking the question, what does “academic” mean to you? You might get some strong opinions! 01:39:53 Nan McRae: I feel like the world is changing before our eyes... 01:40:06 Michele Combs: Like I’m falling into space! 01:40:28 Kathryn Schwyzer: IT’s like losing through a kaleidoscope 01:40:30 Kathleen Steiger: off bale ce - Dizzy 01:40:34 Kay Quinn: Chaos. Imbalance. 01:40:43 Michele Combs: Maybe like Dorthy in the wizard of Oz! 01:40:51 Naomi H: I am bemused -- see whimsy 01:40:51 mary: sailboat is in sky/water. perspective upended. 01:41:19 Lyn: Even though it seems chaotic, her use of the diagonal separating the land from the sea helps stabilize the whole. Love the cool in contrast to the warm tones. 01:41:20 JeanMarie: Dizzy and unbalanced, perhaps in the middle of an earthquake. 01:43:33 Terry Nadler: Looking at the sculpture, I'm horrified. 01:43:38 Michele Combs: Sadness! 01:43:54 mary: This always makes me feel protective. (of the figure) 01:44:07 Margo: not the glory of war, but the violence 01:45:25 Jennifer: Not giving up 01:48:59 Michele Combs: Pure Chaos! 01:51:07 Maryam Marne Zafar: Love his work! 01:52:28 debra’s iPadb: Did she say Beauford was African AM. Maybe around Baldwin time in Paris? 01:52:46 Maryam Marne Zafar: Beauford is African American. Debra 01:53:03 debra’s iPadb: Yes 01:54:53 Victoria A.: Delaney suffered though periods of poverty, depression- the raincoat was given to him because he needed one. Then he cut up to paint. Yes, African Am, from the South. VA 01:55:00 Maryam Marne Zafar: He and James Baldwin did know each other. 01:55:01 Kara ZumBahlen (she/her): And there was actually an exhibition exploring the influence Baldwin and Delaney had in each other's lives: https://knoxart.org/exhibitions/beauford-delaney-and-james-baldwin-through-the-unusual-door/ 01:55:34 Maryam Marne Zafar: Baldwin was much younger than Beauford, btw. 01:59:29 victoria neis: Where did the original curator put this piece? 01:59:30 meg ubel: It’s high up in the fountain court. 02:01:24 Carol Stoddart: I think I remember him saying that his goal was to have a flat painting, so there's lots of opportunity talk about the influence of color and composition on flatness. 02:03:34 Terry Nadler: A copy of de Predcis painting hung in the hallway of a flat rental where I stayed years ago. 02:07:17 Carol Stoddart: do we know if he did the bead work? 02:07:38 Maryam Marne Zafar: He does his own beadwork. 02:07:47 Carol Stoddart: me too, Debbi! 02:08:56 Terry Nadler: "Arose" is the past sense of "Arise" - so maybe a reference to what has happened in the past. 02:09:05 Kara ZumBahlen (she/her): Here's some other examples of Gibson's work: https://www.robertsprojectsla.com/artists/jeffrey-gibson/featured-works?view=slider 02:09:15 Manju: images of women from Mughal painting 02:09:46 Kathryn Schwyzer: This mosaic is fascinating in person! 02:12:08 Jeanne Lutz: A wonderful, inspiring tour, Debbi—thanks! 02:12:43 Elizabeth: Is the term POSTMODERNISM used today within the context of Contemporary Art? 02:12:43 Kate Christianson: Thank you, Debbi—insightful 02:13:12 mary: Debbi- wonderful presentation. 02:13:45 Connie falvey: Thank you both, Sheila and Debbie. Great presentations. 02:14:11 Gordy and Maggie Rosine: Interesting selection of pieces. Great job - Thanks, 02:14:49 Maryam Marne Zafar: Thank you, Deb, for the presentation of your combined tour. 02:14:52 Lyn: Thank you all!! Great talks!!! 02:15:17 Margo: Very interesting tours 02:15:18 victoria neis: Very excited for Thursday evenings 02:15:21 Manju: Thank you. Fascinating. 02:15:27 Fran Megarry: Thank you for today. It was wonderful. 02:15:31 Beverly Cottman: Great session! 02:15:50 Carolyn Silverstein: Thank you for interesting ideas on tours. 02:15:58 Mary, Minneapolis Institute of Art: Today’s class was awesome! Thanks!! 02:16:01 Jeanette Colby: Thank you, Sheila and Debbi. 02:16:47 Victoria A.: Many Thanks Debbie, and all. Victoria 02:16:48 Carolyn Weiby: Thank you very much! Really interesting , 02:17:13 JeanMarie: Excellent session! Thank you Sheila, Debbi, and Kara! 02:17:34 Susan Arndt: Lots on line regarding Sikander’s work - great articles that a helpful. Times, Hyperallergic, etc. 02:17:37 Michele Combs: Thanks so much! 02:17:59 Kay Quinn: Great session. Thank you! 02:18:12 Nan McRae: Thank you this is AMAZING 02:18:35 Maryam Marne Zafar: Enjoy your week, all … YUCH-AAN (I thank you).