in CIF CWA 2015  tagged -virginia / 3 / abstract-art / america / american-art / art-history / artist / artists-rights-society / arts / assemblage / assistant / baboon / bathers / bauhaus / biomorph / biomorphic / birds / bronze / brown / california / canvas / car-spring / catlett / catlett-virginia / chemistry / child / choctaw-people / clay / color / cubism / dali / dark / donald-winston / dorothea-lange / dream / elizabeth-catlett / ethel / ethel-morrison-van-derlip-fund / europe / expressionism / farmer / fauvism / fire / florence-owens-thompson / forms / france / french / french-art / gauguin / gelatin-silver-print / georgia / georgia-o'keeffe / germany / glass / graphite / great-depression / head / henri / henri-matisse / http / ingrid-lenz / john-cowles / john-cowles-foundation / juan-de-pareja / juxtaposition / kay-sage / landscape / lange / linocut / matisse / matter / mesa / metal-cars / migrant / migrant-mother / modern-art / modern-painters / modernism / mold / mother / mountain / munich / n13 / nabi / new-mexico / new-york / nipomo-california / north-america / o'keeffe / oil / oil-on-canvas / orientalism / pablo / pablo-picasso / paris / paul-gauguin / peak / pedernal / photography / picasso / politics / portrait / portrait-of-père-tanguy / post-impressionism / precisionism / print / ranch / richard-s.-davis / rights-society / russia / russian / russian-avant-garde / salvador / salvador-dali / school-of-paris / sculptor / sculpture / sharecropper / sharecropping / slave / south-seas / spain / spanish / steel-spring / strength / surrealism / tahiti / tahitian / tahitian-women-on-the-beach / tanguy / three / three-bathers / through / tropical / united-states / USA / vassily / vassily-kandinsky / velázquez / vintage / visual-arts / wassily / wassily-kandinsky / women-surrealists / york / young / yves / yves-tanguy