Shared Tour Outlines


Resource page for May 2024 public tour

Here are some resources for preparing for the in-gallery (Cross Currents) May public tour:

G259

Check out info on Virgil Ortiz, Jagg and Gage, minute mark 14:30 in this new accessions video.

Jeffrey Gibson’s punching bags: Jeffrey Gibson on the origins of his beaded punching bags

 

G301 (Reimagining Native/American Art) Feel free to walk into 302 as well.

(NOTE: This exhibition closes on May 27. For the May 30 and 31st public tours, guides will station in the Prairie School galleries, G300)

Watch Jill and Bob’s training on this gallery installation.

Wing Young Huie, Kids Playing in Frogtown (see Art Adventure set, American Stories, for information)

Christi Belcourt, here is the PDF of some of the flora and fauna depicted:

It’s a Delicate Balance – flora and fauna

 

G364 (American Gothic)

From the Mia blog: The Minnesota legacy of Gordon Parks, a life of seeing and being seen

Here is a link to the training with Curator Casey Riley, from January 9:

Training on Gordon Parks exhibition

Here are the panels, labels, and subpanels in the exhibition:

GCA242167_GordonParks_Panels V2

GCA242167_GordonParks_SubPanels FINAL

GCA242167_GordonParks_Labels FINAL

 

G373 (and feel free to wander into G374)

Check out Dennis Jon’s training on Part 2 of this Collage/Assemblage exhibition.

If you go into G374, Joe Minter’s assemblage provokes lots of conversation. Learn more about Joe Minter by listening to Mia’s podcast, The Object: Yard Show:  The World According to Joe

 


March 2024 public tour resource page

Our public tour for March 2024 is Women in Art, and it is an in-gallery tour (Cross Currents).

Self-guided tour flyer (contains Myrlande Constant, Elisabeth Osborne, Yayoi Kusama):

Women’s History Self Guided Tour_2024

 

General resources about women artists and contemporary art:

From Khan Academy: Where are the women artists?

Introduction to Contemporary Art

 

Gallery 255:

Check out Valeria Piccoli’s training on G255

Website for Myrlande Constant

From the Indigo Arts Gallery, a bio and more information on vodou flags: Myrlande Constant artist

Graciela Iturbide: Artist Profile

From the Guardian: Mexico’s poetic gaze: Graciela Iturbide at 80 – in pictures

Elsa Gramcko: Hyperallergic review of an exhibition, The Gap Between Things and Their Names

ELSA GRAMCKO: THE INVISIBLE PLOT OF THINGS (in this article, check out the photo of Gramcko with her painting, No. 6!)

More information on No. 6, by Gramcko

Sonia Gomes, interview in Frieze: Sonia Gomes Responds to Her Materials

From the Pace Gallery, a video: Of Seams and Stories: The Art of Sonia Gomes

From the Guggenheim, a description of a similar work from the Torções (Twistings) series by Sonia Gomes.

From the National Museum of Women in the Arts: Fabric of History: Sonia Gomes

 

Gallery 236/250:

Magdalene Odundo_notes_DH

From your colleague Ramaa Bhasin, Odundo’s “A Dialogue with Objects

Article about Odundo’s work: The Shifting Resonances of Magdalene Odundo’s Vessels on the Global Stage

Wodaabe Tunic

Article about Wodaabe Embroidery

Amazigh (Berber) carpet (G250)

Ait Ouagharda, Berber carpet (G250)

Regions and Types of Moroccan carpets

Bamana mudcloth

Bamana mudcloth Metropolitan Museum

Bamana mudcloth UW Milwaukee

From Rose Stanley Gilbert, a video: How Rug Weavers In Morocco Are Working Together To Fight For A Fair Wage 

 

Gallery 303:

Nora Naranjo Morse_1

Nora Naranjo Morse_2

Video: Nora Naranjo-Morse: Potter & Poet

Dyani White Hawk: Essay from the MacArthur Foundation

Dyani White Hawk: “Takes Care of Them” by Dyani White Hawk, 2019 – Press Process video from Highpoint

Hearts of Our People — Artist Profile: Dyani White Hawk

Sheila Hicks: Video from MoMA: Sheila Hicks: Pillar of Inquiry | ARTIST STORIES

Sheila Hicks: From the NYT, A Career Woven From Life

Aliza Nisenbaum: From Mia website, a video: A Place We Share, Aliza Nisenbaum

Aliza Nisenbaum: From ArtForum, a video discussing work at Mia: ALIZA NISENBAUM TALKS ABOUT HER WORK

Mimi Gross: The Radiant Fearlessness of Mimi Gross

Mimi Gross at Eric Firestone Gallery

Critical Eye: Mimi Gross in Her World

 

Gallery 375–and also feel free to walk into G374, with the new reinstallation:

Yayoi Kusama notes_DH

From the Tate: An Introduction to Yayoi Kusama

Elizabeth Osborne

A bio of artist Elizabeth Osborne, written by Curator Bob Cozzolino.

Louise Nevelson

Wangechi Mutu (G374): Essay on the artist from Khan Academy

Shinique Smith (G374): Shinique Smith and the Politics of Fabric


February 2024 BHM tour

Here are some resources for the February in-gallery public tour, Celebrating African American Art, as part of Black History month celebrations.

First, here is a link to all African American art currently on view at Mia (updated for March 2024).

 

Here is a link to the Cross Currents public tour sign-up, where gallery assignments are noted.

 

Here is the training by Jean Ann Durades on January 18:

Part 1: G301-304

Part 2: G322

Part 3: G353 (not on Cross Currents, but good artworks to include on BHM private tours)

Part 4a: G364/365

Part 4b: G364/365

 

2024 self-guided tour flyer:

2024 Self-Guide Template Celebration of African American Art QR final

 

Here is a link to Bisa Butler’s talk.

 

From your colleague Marne Zafar, a detailed tour outline:

Black Heritage-History Tour Notes FEB 2024

 

Galleries 303 (also can access 301, 302, and 304)

Nellie Mae Abrams, “Housetop” quilt

Gee’s Bend quilt information, Mia blog

Lamar Peterson: A Self-Portrait

Leslie Barlow (move ahead to 10 minutes in the video): studio visit

Leslie Barlow’s MAEP exhibition and her talk, recorded

Renee Stout, Biography (also includes a pic of Soul Regenerator)

Object file on Henry Bannarn’s Cleota Collins

Photo of Cleota Collins

 

Gallery 322

Bisa Butler, I Know Why the Caged Bird Sings

Notes from Josie Owens from a convo with Bisa Butler:

“Bisa tried to imagine their past and future personalities. The symbols refer to how she sees them. The fan is a symbol of success. In Ghana in the markets the more lucrative businesses have electricity and can offer fans to their customers. This woman will be a successful businesswoman. The hearts are on the skirt of the woman who looks like the kind friend. The bling is for the woman who is the fashionista. The high heels refer to Michelle Obama’s inauguration heels. She’s a leader and powerful. She said that she had to redo the face of the fan woman. She didn’t like how she looked.”

Video of Jean Ann’s tour, including Joshua Johnson’s painting. (and Bannarn’s Cleota Collins)

Winfred Rembert’s obituary

Video: Patsy Rembert introduces ‘Winfred Rembert. All of Me’ in New York

From the Mia blog: “I wanted people to know”: The moving history behind Winfred Rembert’s “The Beginning”

From Kate Christianson, a great documentary about Rembert now streaming online at Amazon Prime:

All Me: The Life And Times Of Winfred Rembert

 

Galleries 364/365: American Gothic: Gordon Parks and Ella Watson

From the Mia blog: The Minnesota legacy of Gordon Parks, a life of seeing and being seen

Also, from The Object podcast: to come

Here is a link to the training with Curator Casey Riley, from January 9:

Training on Gordon Parks exhibition

Here are the panels, labels, and subpanels in the exhibition:

GCA242167_GordonParks_Panels V2

GCA242167_GordonParks_SubPanels FINAL

GCA242167_GordonParks_Labels FINAL

 

PBS video from Jean London:

Why Gordon Parks’ Most Famous Photo Almost Wasn’t Released

 

From Rose Stanley-Gilbert:

This is a SHORT NPR article with lots of pictures. If someone wants to know about Gordon Parks — this will tell you the many AMAZING and creative things he did.

https://www.npr.org/sections/pictureshow/2022/06/10/1102645123/gordon-parks-photography

Background on the FSA:

From Mary Costello:
and

Galleries 375 (also can access G376)

A catalog of James Phillips’ works that includes Cosmic Connection

Joe Overstreet’s work discussed (28:24 on video) in Curatorial training in 2019

William Edmondson, Ram (see Jean Ann’s tour video posted under G322–and check out the Art Adventure set, Artist’s Inspirations, of which the Ram is part.)

Curator Bob Cozzolino’s training on Bob Thompson and Beauford Delaney: Kunin Collection Focus on Bob Thompson, January 10, 2019


January 2024 public tour, Oh the weather outside

Here are a list of ideas for the January public tour,

Oh, the Weather Outside!
Explore images of indoor/outdoor pastimes while contemplating Minnesotans’ obsession with the weather.

January Public Tour

(Note: We have a new installation in the Japanese galleries by curator Mai Yamaguchi, with many weather-related works. Check out “Falling Water: Expressions of Weather in Japanese Art” in G223.)

We also encourage you to share other ideas with each other for this tour, so to that end, we are sharing the Google doc link for the tour, so feel free to add to this any other ideas you have of great artworks to include!

As always, one-hour public tours meet at the Info Bar in the lobby, and please remember to record the attendance of your tours on the attendance sheet on the Guide Lounge bulletin board. Thank you!


December 2023 Cross Currents, Celebrating the Season

This is a resource page for the December 2023 public tour, Celebrating the Season, Cross Currents format.

Last year’s training, link here to the Tour Break, includes good background on all 4 celebrations we are again focusing upon:

Kwanzaa (Tue, Dec 26, 2023 – Mon, Jan 1, 2024)

Hanukkah (Evening of Thu, Dec 7, 2023 – Fri, Dec 15, 2023)

Christmas (Mon., December 25)

Yalda (Thur, Dec 21)

Here is the Cross Currents flyer for December:

Cross Currents Flyer Template_December 2023 public tour

 

Additional information on James Tissot:

Watercolor of The Magi Journeying in the Brooklyn Museum.

Article: Contrasting Visions Of Painter James Tissot, The Secular And Sometime Mystical Realist

Tissot lecture notes_DH:

Tissot_Journey of the Magi


December 2023 public tour: Cross Currents

Our December public tour is in-gallery conversations (Cross Currents). Guides will be stationed in G243, G250 or 254, G357, and G362.

Cross Currents Flyer Template_December 2023 public tour

The theme is “Celebrating the Season: learn how countries around the world celebrate the season of rebirth and renewal.”

Training for this tour is already available, December 2022. Click on this link to access the Tour Break information from last year for Yalda, Kwanzaa, Hanukkah, and Christmas.

 

 


Resource page for November 2023 public tour, Arts of Native America

The November tour theme is:

Arts of Native America
Experience the role of tradition and innovation in superb works of Native American Art.

General condensed Native relations statement:

The museum resides on the homelands of the Dakhóta people and their Anishinaabe and Ho-Chunk neighbors. Through gallery installations and future exhibitions, Mia pledges to make visible the creativity and ingenuity of Native artists from the past, the present, and the future.

From your colleague, Marne Zafar, a tour of Native American art, including works in the new reinstallation in G259-261:

Who Are We. Who We Are. Americas Tour 2023-2024 FINAL

 

Check out the Lyrical Art of Jim Denomie resource page (link here) for information on that exhibition.

Check out the tour break and other school tour materials on this topic, at this link.

Check out the Reimagining Native/American Art resource page for information on that gallery reinstallation at this link.

 

Check out our self-guided tour flyer for November:

Native American Heritage Month self guided tour

Peer resources:

Meet the Artist: Virgil Ortiz (Cochiti Pueblo)


Urban Poverty tour

Here is a tour developed by Terry Edam for a sociology class at the U of MN:

Tour University of Minnesota March 2

Per Terry:

The topic is Urban Poverty with an eye on how museums historically have reflected in their art–and served–a more dominant culture and what museums like MIA have been doing to address this more recently. It’s part of a larger conversation about urban planning and marginalization.

From the Professor:
My students have been interested in ways in which institutions have become more inclusive of their representations of art as well as outreach efforts to a wider range of audiences.
Theme:
Seeing Yourself at Mia*: Cultural Inclusion and Community Outreach. *Mia translates to “Mine” in many languages.


July 2023 Cross Currents Public Tour: Fresh Perspectives

This resource page will contain information to help prepare for a July 2023 Cross Currents assignment.

Cross Currents Flyer Template_July 2023 public tour

Theme of the tour: 

Fresh Perspectives on Art: Reflect on evolving museum practices as we reimagine what art is and view artworks paired in unexpected ways.

Gallery 230 (Rotunda)

Thematic connection:

In the past, the Rotunda showcased the Classical sculpture of ancient Greece and Rome, giving prominence to the Eurocentric view of art history, where Classical sculpture is seen as one of the high points of (predominantly male) artists’ achievements. Now, the Rotunda is showcasing new accessions to Mia’s collection, better reflecting the diversity in the museum’s collection and the current curatorial approach to collecting and displaying work from artists (women and BIPOC) who historically have not had representation in these gallery spaces.

Artworks, see accession proposals for artworks on display:

Spring 2023 Rotunda Rotation Guide Proposals

Visitors might be interested in learning more about some of the other new gallery reinstallations or approaches.  You can send them to check out the Americas galleries, to explore the contemporary work on display:

How to Shift Museum Space to Native Place

For Shiva and Parvati with Companions:

Mia blog post

Visit the colorful and vibrant South and Southeast Asian galleries:

With New Light: Mia’s Reinstalled Himalayan, South, and Southeast Asian Art Galleries

as well as Pujan’s training with us (search Pujan Gandhi to find the recording)

For the Chief’s Blanket: Navajo Chief’s Blankets: Three Phases

and Navajo Weaving Methods

For Lamar Peterson, a great article: Lamar Peterson: A Self-Portrait

From Kate Christianson, a gallery with good info on Navajo weaving: Donald Ellis Gallery

 

Gallery 255

Thematic connection:

Gallery 255 is set up as a mini-exhibition, “Night Life,” which presents 20 artworks from across Africa that address the various ways nighttime was, and in some cases still is, perceived and experienced. With the sounds of African nightlife in the background, these artworks speak to the richness and vitality of life after the sun goes down.  Here the curator attempts to evoke a greater understanding of the context for the works by use of sound as well as a dark blue on the walls.

Note connections to some “fresh perspectives” on display in G250/254 (see articles below). For example, ancient Egypt art is included within the African galleries, reflecting a Curatorial approach to reconnect all aspects of African history. In the past, ancient Egyptian art was included within the ancient art galleries.

Articles about the African galleries re-design:

Inside the Minneapolis Institute of Art’s New, Improved African Art Galleries

Redesigned African Art Galleries To Open at MIA

Africa revisited: How the new galleries will change the way you see art museums

 

Gallery 318

Thematic connection:

Period rooms like our French salon used to be very static spaces, filled with decorative arts and furniture from that specific era of the room. With the Living Rooms Initiative, Mia sought to reinvigorate and reinterpret these spaces. Now the Salon is set up to reflect the use of the room, with a soundtrack and lighting scheme meant to better give a sense of its original context.

(Note: Bring a flashlight to this room to use, as it does become quite dark!)

Articles on the initiative:

Up All Night in the 1700s

Living Rooms: The Period Room Initiative

Mia’s Period Rooms

ArtStory on the Salon

Labels and panels:

Grand Salon labels and panels

Other notes:

Grand Salon_DH notes

 

Gallery 375

Thematic connection:

In this gallery, focus on the idea of “fresh perspectives” from artists, in the inventive use of traditional materials (e.g., Joe Overstreet’s canvases) and use of new materials, previously not seen in museum spaces (e.g., Harmony Hammond’s Chicken Lady). Also, in this gallery we have a focus on better representation of the diversity in modern art, with works by BIPOC and women artists prominently showcased.

Recording of training with Curator Bob Cozzolino:

Gallery 375 training 06.15.23

Bonus training G322 06.15.23


Black History Month resources

Here are some resources for Black History Month or for giving tours focused on African American/Black American artists:

Mia’s website compilation for Black History Month

 

African American artwork currently on view:

African American artist/works on view, February 2024

 

Walkthrough with Mia Guide Jean Ann Durades (to come)

 

Tour Outlines

(If you care to share tour outlines. please email to Kara or Debbi, to include here.)

Rebecca Haddad_Celebration of African America Art History