in CIF CWA 2015  tagged 3 / abstract-art / america / art-history / art-movements / artist / artists-rights-society / assemblage / assistant / baboon / bathers / bauhaus / biomorph / biomorphic / birds / bronze / brown / canvas / car-spring / child / clay / color / cubism / culture / dali / dark / der-blaue-reiter / donald-winston / dream / europe / expressionism / fauvism / fire / forms / france / french / french-art / gauguin / georges-braque / germany / glass / head / henri / henri-matisse / http / john-cowles-foundation / juan-de-pareja / kay-sage / landscape / matisse / metal-cars / modern-art / modern-painters / modernism / mold / mother / munich / nabi / new-york / oil / oil-on-canvas / orientalism / orphism / pablo / pablo-picasso / paris / paris-studio / paul-gauguin / picasso / politics / portrait / portrait-of-père-tanguy / post-impressionism / richard-s.-davis / robert-delaunay / russia / russian / russian-avant-garde / Saint-Séverin / salvador / salvador-dali / school-of-paris / sculptor / sculpture / sonia-delaunay / south-seas / spain / spanish / steel-spring / surrealism / tahiti / tahitian / tahitian-women-on-the-beach / tanguy / the-french / three / three-bathers / through / tropical / USA / vassily / vassily-kandinsky / velázquez / visual-arts / wassily / wassily-kandinsky / william-hood-dunwoody-fund / women-surrealists / york / young / yves / yves-tanguy