public tour


Resource page for June 2024 in-gallery conversation

Here are some resources for the in-gallery (Cross Currents) June conversation, in support of Pride Month, as we profile queer artists.

“*To clarify, when we say the word “queer,” we are referring to a self-identification of a person that is not heterosexual or cisgender (having a gender identity that matches the sex assigned at birth). It is important to note that for many, the term “queer” can be problematic, as it is a reflection of a negative history, but for others, “queer” is how they self-identify, which is why we use the word.” (definition from Crystal Bridges Museum)

Here is a link to the sign up for tours.

General resources:

Check out this one hour Facebook virtual tour by the Detroit Institute of Arts, discussing the work of Hosmer, Hartley, Delaney, and Bacon, all artists profiled on this month’s Pride tour.

Also from the LGBTCenter NYC, a video in conjunction with the Whitney: Queer Belonging: Identity and Community in America Art

Information and quotes from May 30 in-gallery training: Pride artists’ quotes

G323 

Harriet Hosmer

Harriet Hosmer: The Art Story

From the Davisart.com, Curator’s Corner: LGBTQI+ History Month: Harriet Hosmer

Another version of Medusa in Hood Museum: Harriet Goodhue Hosmer, American, 1830 – 1908

Harriet Hosmer on Art and Ambition: The World’s First Successful Woman Sculptor on What It Takes to Be a Great Artist

Grant Wood

Regarding Grant Wood: SULTRY NIGHT: GRANT WOOD’S QUEER MIDWEST

From the LGBTQ Archives and Library for Iowa: History-By-Letter #3 | Grant Wood

Des Moines Art Center: Justin Favela on Grant Wood’s “Birthplace of Herbert Hoover”

Informational video: Beyond American Gothic | Analysis of Grant Wood’s The Birthplace of Herbert Hoover

The Art Story: Grant Wood

Marsden Hartley

From the Met: Marsden Hartley and Wilfred Owen: Queer Voices of Memorial in Wartime

From the Museum of Fine Arts St. Petersburg: Stories We Tell: Conversation with director Michael Maglaras (discussing his film on Hartley)

Marsden Hartley: The Art Story

From the Sheldon Museum, Marsden Hartley

A couple labels from the Smithsonian with info on Hartley’s time in Mexico in 1932 and the artworks he produced: Yliaster and Popocatepetl

 

G361

Paul Cadmus

An object file on our Aspects of Suburban Life

DC Moore Gallery: Paul Cadmus

From the Met: Paul Cadmus and the Censorship of Queer Art

From the Smithsonian: Artists, Friends, Lovers: Paul Cadmus and George Tooker 

Cadmus, transcript of oral interview from the Smithsonian

From Artsy: When Paul Cadmus’s Homoerotic Military Painting Launched a National Scandal.

George Tooker

Lot essay from Christie’s for Coney Island

An article from America Magazine: Beyond Protest: The art of George Tooker

George Tooker: The Art Story

The Art of George Tooker

Check out these three short videos (and you’ll recognize Bob Cozzolino’s voice!): Part 1, Part 2, Part 3

Beauford Delaney

Beauford Delaney: The Art Story

Bio at NMAAHC

From Scalawag Magazine: Out of the Shadows: The Queer Life of Artist Beauford Delaney

 

G374–and also feel free to use G373 if you wish to include Harmony Hammond, Elliot Hundley, or Stan Shellabarger & Dutes Miller (who are married)

Check out Dennis Jon’s training on Part 2 of this Collage/Assemblage exhibition

Recent article on Harmony Hammond: Harmony Hammond’s Ongoing Revolution

Hunter Reynolds

From ArtNews: Hunter Reynolds, Pioneering Artist Known for Heart-Wrenching Works That Chronicled the Immense Loss Wrought by HIV/AIDS, Dies at 62

From the NYT: Hunter Reynolds, Artist Who Dressed Up AIDS, Dies at 62

From Visual Aids, a bio and artist statement: Hunter Reynolds

Hales Gallery, link to information about Reynolds’ photo weavings, including a photo of our work currently on display.

Another article on the weavings: Weavings: Adam Ash Barbu and Ethan Shoshan for Hunter Reynolds

Wangechi Mutu (Is an important artist ally for LGBTQ+ rights, but does NOT identify as queer)

Essence Magazine: Artist Wangechi Mutu Celebrates ‘Africa’s Out!’ Campaign, with a Little Help from Solange

From National Museum of Women in the Arts: Positive Fragmentation: Wangechi Mutu on the Black Body

From the Met: Museums Without Men: Wangechi Mutu

From Google Arts and Culture: Discover the work of Wangechi Mutu

Art 21: Between the Earth and the Sky, Wangechi Mutu

Sadie Benning (pronouns they/them)

From W Magazine: Transgender Artist Sadie Benning Is Not Afraid

In the label, a reference to Forrest Bess–here is some information from the National Gallery of Art.

Art Forum: Sadie Benning

From Moma: Sadie Benning

Shinique Smith

Sarasota Magazine: With Parade, Shinique Smith Turns Her Gaze on the Ringling’s Old Masters

From a Mia Story: Shinique Smith and the fabric of life

Bio: Shinique Smith

Her website: Shinique Smith

New York Times: Giving Castoffs a Second Life

 

G376/377

Beauford Delaney

(See resources in G361 above)

George Tooker

(See resources in G361 above)

Francis Bacon (in 377 now)

From Art Forum: Francis Bacon

From ArtNews: Francis Bacon’s ‘Screaming Pope’ Embodied Postwar Anguish—Here Are 3 Surprising Facts About the Influential Painting

Francis Bacon: The Art Story

From the Tate: WHO IS FRANCIS BACON?

 


Resource page for May 2024 public tour

Here are some resources for preparing for the in-gallery (Cross Currents) May public tour:

G259

Check out info on Virgil Ortiz, Jagg and Gage, minute mark 14:30 in this new accessions video.

Jeffrey Gibson’s punching bags: Jeffrey Gibson on the origins of his beaded punching bags

Jeffrey Gibson at the Venice Biennale 2024

Rose Simpson’s monumental sculptures: Rose B. Simpson in “Everyday Icons” – Season 11 – “Art in the Twenty-First Century” | Art21

Rose Simpson at the Jack Shaiman Gallery

Avis Charley: New to Nevada: Avis Charley

The Growing Thunder Collective

Pathfinder: 40 Years of Marcus Amerman

From the New York Times: Kay WalkingStick: Reframing the American Landscape

 

G301 (Reimagining Native/American Art) Feel free to walk into 302 as well.

(NOTE: This exhibition closes on May 27. For the May 30 and 31st public tours, guides will station in the Prairie School galleries, G300)

Watch Jill and Bob’s training on this gallery installation.

Wing Young Huie, Kids Playing in Frogtown (see Art Adventure set, American Stories, for information)

Christi Belcourt, here is the PDF of some of the flora and fauna depicted:

It’s a Delicate Balance – flora and fauna

Eva Zeisel–Town and Country by Eva Zeisel

Eva Zeisel in Chicago Tribune: EVA DOES IT

Charles Biederman: The Sage of Red Wing

 

G364 (American Gothic)

From the Mia blog: The Minnesota legacy of Gordon Parks, a life of seeing and being seen

Here is a link to the training with Curator Casey Riley, from January 9:

Training on Gordon Parks exhibition

Here are the panels, labels, and subpanels in the exhibition:

GCA242167_GordonParks_Panels V2

GCA242167_GordonParks_SubPanels FINAL

GCA242167_GordonParks_Labels FINAL

 

G373 (and feel free to wander into G374)

Check out Dennis Jon’s training on Part 2 of this Collage/Assemblage exhibition.

If you go into G374, Joe Minter’s assemblage provokes lots of conversation. Learn more about Joe Minter by listening to Mia’s podcast, The Object: Yard Show:  The World According to Joe

 


March 2024 public tour resource page

Our public tour for March 2024 is Women in Art, and it is an in-gallery tour (Cross Currents).

Self-guided tour flyer (contains Myrlande Constant, Elisabeth Osborne, Yayoi Kusama):

Women’s History Self Guided Tour_2024

 

General resources about women artists and contemporary art:

From Khan Academy: Where are the women artists?

Introduction to Contemporary Art

 

Gallery 255:

Check out Valeria Piccoli’s training on G255

Website for Myrlande Constant

From the Indigo Arts Gallery, a bio and more information on vodou flags: Myrlande Constant artist

Graciela Iturbide: Artist Profile

From the Guardian: Mexico’s poetic gaze: Graciela Iturbide at 80 – in pictures

Elsa Gramcko: Hyperallergic review of an exhibition, The Gap Between Things and Their Names

ELSA GRAMCKO: THE INVISIBLE PLOT OF THINGS (in this article, check out the photo of Gramcko with her painting, No. 6!)

More information on No. 6, by Gramcko

Sonia Gomes, interview in Frieze: Sonia Gomes Responds to Her Materials

From the Pace Gallery, a video: Of Seams and Stories: The Art of Sonia Gomes

From the Guggenheim, a description of a similar work from the Torções (Twistings) series by Sonia Gomes.

From the National Museum of Women in the Arts: Fabric of History: Sonia Gomes

 

Gallery 236/250:

Magdalene Odundo_notes_DH

From your colleague Ramaa Bhasin, Odundo’s “A Dialogue with Objects

Article about Odundo’s work: The Shifting Resonances of Magdalene Odundo’s Vessels on the Global Stage

Wodaabe Tunic

Article about Wodaabe Embroidery

Amazigh (Berber) carpet (G250)

Ait Ouagharda, Berber carpet (G250)

Regions and Types of Moroccan carpets

Bamana mudcloth

Bamana mudcloth Metropolitan Museum

Bamana mudcloth UW Milwaukee

From Rose Stanley Gilbert, a video: How Rug Weavers In Morocco Are Working Together To Fight For A Fair Wage 

 

Gallery 303:

Nora Naranjo Morse_1

Nora Naranjo Morse_2

Video: Nora Naranjo-Morse: Potter & Poet

Dyani White Hawk: Essay from the MacArthur Foundation

Dyani White Hawk: “Takes Care of Them” by Dyani White Hawk, 2019 – Press Process video from Highpoint

Hearts of Our People — Artist Profile: Dyani White Hawk

Sheila Hicks: Video from MoMA: Sheila Hicks: Pillar of Inquiry | ARTIST STORIES

Sheila Hicks: From the NYT, A Career Woven From Life

Aliza Nisenbaum: From Mia website, a video: A Place We Share, Aliza Nisenbaum

Aliza Nisenbaum: From ArtForum, a video discussing work at Mia: ALIZA NISENBAUM TALKS ABOUT HER WORK

Mimi Gross: The Radiant Fearlessness of Mimi Gross

Mimi Gross at Eric Firestone Gallery

Critical Eye: Mimi Gross in Her World

 

Gallery 375–and also feel free to walk into G374, with the new reinstallation:

Yayoi Kusama notes_DH

From the Tate: An Introduction to Yayoi Kusama

Elizabeth Osborne

A bio of artist Elizabeth Osborne, written by Curator Bob Cozzolino.

Louise Nevelson

Wangechi Mutu (G374): Essay on the artist from Khan Academy

Shinique Smith (G374): Shinique Smith and the Politics of Fabric


Resource page for October 2023 Cross Currents: Telling Stories

In the October 2023 Cross Currents, the theme is Telling Stories: Gather around works of art to look, listen, and tell your own stories.

Guides will be stationed in Galleries 213, 280, 365, and 379. Following are some resources for each gallery, to help prepare for your assignments. If you find additional resources you wish to share with your peers, email those to Debbi or Kara to add here.

Gallery 213

Check out all objects on view in G213

Enshrined Buddha, 1850, with audio stop

and Burma Enshrined Buddha Object File

And article on an enshrined Buddha in the Asian Art Museum collection:

Crowned and bejeweled Buddha image and throne

Ceremonial vessel in the form of a Water Buffalo, 1000-300 BCE (this is an Art Adventure object, so check out the booklet with its entry, in People and Their Environments)

Thailand Walking Buddha object file

Java Ganesha object file

Prajnaparamita, late 12th-early 13th century (with audio stop)

General information on Buddhism:

Introduction to Buddhism and subsequent articles, Khan Academy

Buddhism/Hinduism/Jainism, lecture by Debbi Hegstrom, 2019

 

Gallery 280

Jim Denomie, lecture with Nicole Soukup:

Curator lecture on the Lyrical Art of Jim Denomie

Video playing in the exhibition: The Lyrical Artwork of Jim Denomie, exhibition video

Video interview with Jim Denomie from the Muskegon Museum of Art: Jim Denomie: Challenging the Narrative  (note, great information is included about some works in our show.)

From the Bockley Gallery: Jim Denomie bio

 

Gallery 365

Gallery training (video link) with Associate Curator of Global Contemporary Art, Leslie Ureña.

Another Look exhibition page on Mia website

 

Gallery 379

How might visitors feel when they find out the “true story” of the missing curator is a fiction? What are visitor expectations of the information they find in the museum? What is a period room and how does it “tell a story”?

Mark Dion (pronounced Die-On), Curator’s Office (we recommend bringing a little flashlight with you to point out details within; flashlights are by the attendance clickers.)

Here is the ArtStory on the Curator’s Office. Click on “Details” and “More” in the tab headings to learn great details to point out to visitors.

Here is a video of Mark Dion discussing the work.

Articles about the work:

Artforum: Mark Dion speaks about his latest installation

ArtNews: The Curator Vanishes: Period Room as Crime Scene

Bio and more: Mark Dion: Art 21