Peer Sharing


Article about “listening” and the power of questions

From your colleague Fran Megarry,

“I have been doing the Rubin Museum Listening experience this week and found this article particularly interesting.”

The author is Krista Tippett, and the article comes from the Rubin Museum’s Listening experiences:

On Listening _ Rubin Museum of Art

Fran also recommends the Rubin Museum’s listening challenges, tied to their current exhibition The World Is Sound. Here is a link to the sign-up page, and all the past challenges are also available:

Rubin Museum’s listening challenge

 


Takashi Murakami video

From your colleague Kathleen Steiger, here’s a video interview with Takashi Murakami, including “Great Manga shots and a wonderful interview with the artist and shots of his workshop.” The video was uploaded by the Museum of Contemporary Art, Chicago.

Takashi Murakami video interview

 


Cultural Appropriation

Ann Isaacson and Jean Ann Durades teamed up for an in-gallery discussion on cultural appropriation, attended by the staff of LI.

We all pondered the questions, “What is cultural appropriation?, Why now?, and Who gets to decide?”  We ended up having a lot more questions than answers, but it was a lively, interesting discussion that bears continuing at Mia.

Attached are 3 articles that Ann and Jean Ann found thought-provoking on the topic:

Vera Lutter and Camera Obscura

From your colleague Kathleen Steiger:

This video “is a wonderful 6 to 7 minute interview with Lutter and the folks from LACMA and includes some nice graphics on the pinhole camera/Camera Obscura that she builds and uses.
I would recommend that EVERY DOCENT watch it especially if they intend to use our Lutter object on any tours!”

Lutter LACMA video

 


Participatory Activities (color and storytelling)

From your colleague, Mary McMahon, two ideas for gallery activities:

“The instructor asked that we compare and contrast art from Europe, North America, Asia and Africa (no small task!!).  I developed the theme of Blue used in art from ancient times to present starting with Egyptian Blue and ending with International Klein Blue (IKB).  For Europe, we discussed ultra marine blue and how it differed from cheaper blues that faded over time focusing on the triptych Lamentation with Saint John the Baptist in gallery 342. For our next “object” I sent them to gallery 343 with the direction to find a painting with blue in it that they really liked and stand in front of it.  I gave them a minute or two to decide then with each student, I asked what they liked about their painting or why they chose it.  Then I asked them to describe the areas of blue and whether they thought cheap blue or ultra marine blue was used and why.  It was a really fun exercise and the students really focused on their particular painting.”

“I wanted to share another participatory exercise from my tour today.  My theme was about story telling through art, from fables and myths to the unknown. After talking about Lady Tashat and her biography drawn on the sarcophagus we went to the Female Figure from the Cyclades.  I told the students where this figure came from and a little about the Cyclades but explained that we didn’t know her story or what happened there.  So I asked the students to create the story.   We sat on the ground, I was the transcriber, and the students took turns creating a story about the woman.  Even giving her a name – the first group chose Rosetta, the second, Alythia.  They were very creative and loved this exercise!  I then gave them the story to share with their teacher.  I would definitely do this again and all you need is piece of paper and a pencil.”


Contemporary Art Tour/Activity

This self-guided activity sheet, developed by docent Ginny Wheeler, could also be used for a contemporary art tour for teens and adults by developing a theme and transitions that tie the works together. Here is a possible theme:

Contemporary Art: Finding Connections
This tour/activity is about connections…the viewer and the art, the artist and tradition, the artist and the past, the art and today’s world. How do we connect with art? How does the artist connect the past and present?

Contemp Art activity (GWheeler)