Article on Elizabeth Catlett
Here is an article from your colleague, Brenda Haines:
How Elizabeth Catlett Lifted Up Black Women Through Art _ At the Smithsonian_ Smithsonian Magazine
Here is an article from your colleague, Brenda Haines:
How Elizabeth Catlett Lifted Up Black Women Through Art _ At the Smithsonian_ Smithsonian Magazine
From your colleague Kathleen Steiger, a video:
Jean Ann Durades, Rose Stanley-Gilbert, Mary Ann Wark presented on new works on view in Rituals of Resilience and Gallery 375. These are works all by Black artists. The training is 5 videos in total.
Here are also supporting materials from their talks, along with some additional resources provided by other guides:
From Rose:
Gio Swaby, Pretty Pretty 3, 2020 WORD
From Mary Ann:
mia.James Phillips Cosmic Connection 1971 2022
and with no questions/answers: mia. object file.Intertwinedwo anwers
Some information on Afrofuturism from Kay Miller:
For more information about the new acquisition of St. Martin and the Beggar, by Jaume and Pere Serra, check out this catalog from the auction house:
Here is a recording of the Art Break on Contemporary Prints with Cara Richardson:
Art Break Contemporary Prints 05.05.22
From your colleague Manju Parikh, this article: Open-source encyclopedia puts 10,000 years of Indian art history in one place
and a link to the new open source encyclopedia:
From your colleague Kathleen Steiger, a video on Winslow Homer from the Met Museum:
Your colleague Pat Gale provided copy from the AIC catalog on Bisa Butler’s work currently on display in Rituals of Resistance:
Bisa Butler notes from Catalog
And your colleague Sue Hamburge found a link to the actual photograph on which the quilt is based:
Four African American women seated on steps of building at Atlanta University, Georgia]
Askew, Thomas E., 1850?-1914, photographer
Du Bois, W. E. B. (William Edward Burghardt), 1868-1963, collector
and a link to the jpeg: photograph
From your colleague Kathleen Steiger, a short video on Kehinde Wiley from the DIA:
From your colleague Kathleen Steiger, a short video:
From your colleague Kathleen Steiger, a video on Poussin from the National Gallery:
Curator’s Introduction | Poussin and the Dance | National Gallery
From your colleague Kathleen Steiger,
5 Questions, 5 Artists: Reframing Portraiture | Titus Kaphar
From your colleague Jean Ann Durades, some current articles:
Kehinde Wiley: Artist Kehinde Wiley: ‘The new work is about what it feels like to be young, Black and alive in the 21st century’
Sanford Biggers: Cracking Codes With Sanford Biggers
Glenn Ligon: “Artists Imagine That Museums Are Brave—They’re Not’: Glenn Ligon on His New Show, Philip Guston, and How Institutions Can Do Better
From your colleague Kathleen Steiger, a video from the Dallas Museum of Art, focused on the conservation of Van Gogh’s Olive Trees.
From your colleague Judy Ericksen, “WHY INDIGENOUS LANGUAGES, EDUCATION, HAIR & THE PORTRAYAL OF MASCOTS MATTER.”
From your colleague Brenda Haines, some articles from the New York Times:
The Trauma and Talent of Some of History’s Greatest Women Artists – The New York Times
Art That Looks at What Women See – The New York Times
It’s Time to Put Alice Neel in Her Rightful Place in the Pantheon – The New York Times
Check out this terrific guide to the exhibition In the Presence of Our Ancestors!
In the Presence of Our Ancestors Teachers Guide
In this, you’ll find some great information on the artists Thornton Dial, Lola Pettway, Joe Minter, Georgia Speller, Henry Speller, and Leroy Almon.
From your colleague Elizabeth Winga, an article on new glass mosaics in New York City, featuring Nick Cave’s Soundsuits:
From your colleague Bruce Robbins, a video on Jacob Lawrence, from LACMA:
From your colleague Kathleen Steiger, a short film from the Met:
Watch this short film to explore the painting “Dance in a Subterranean Roundhouse at Clear Lake, California” (1878) by French-born artist Jules Tavernier (1844–1889). In the dramatic scene, Tavernier depicts a ceremonial dance of the Elem Pomo known as mfom Xe, or “people dance,” in an underground roundhouse, Xe-xwan, at Clear Lake, California. Capturing a historical moment, it chronicles an exceptional cultural interaction between California Indians in their homelands and outsiders—settlers and business investors—on November 22, 1875.