Peer Sharing


Peer training in Galleries 374 and 375, June 15, 2022

Jean Ann Durades, Rose Stanley-Gilbert, Mary Ann Wark presented on new works on view in Rituals of Resilience and Gallery 375. These are works all by Black artists. The training is 5 videos in total.

Peer training Part 1

Peer Training Part 2

Peer Training Part 3

Peer Training Part 4

Peer Training Part 5

Here are also supporting materials from their talks, along with some additional resources provided by other guides:

From Rose:

Gio Swaby, Pretty Pretty 3, 2020 WORD

Alfred Conteh – Sauce – WORD

From Mary Ann:

mia.James Phillips Cosmic Connection 1971 2022

mia. Wangechi Mutu

and with no questions/answers: mia. object file.Intertwinedwo anwers

 

Some information on Afrofuturism from Kay Miller:

Afro-Futurism Explained

Afrofuturism Explained: Not Just Black Sci-Fi | Inverse


Bisa Butler

Your colleague Pat Gale provided copy from the AIC catalog on Bisa Butler’s work currently on display in Rituals of Resistance:

Bisa Butler notes from Catalog

And your colleague Sue Hamburge found a link to the actual photograph on which the quilt is based:

Four African American women seated on steps of building at Atlanta University, Georgia]
Askew, Thomas E., 1850?-1914, photographer
Du Bois, W. E. B. (William Edward Burghardt), 1868-1963, collector

and a link to the jpeg: photograph


Jules Tavernier and the Elem Pomo

From your colleague Kathleen Steiger, a short film from the Met:

Watch this short film to explore the painting “Dance in a Subterranean Roundhouse at Clear Lake, California” (1878) by French-born artist Jules Tavernier (1844–1889). In the dramatic scene, Tavernier depicts a ceremonial dance of the Elem Pomo known as mfom Xe, or “people dance,” in an underground roundhouse, Xe-xwan, at Clear Lake, California. Capturing a historical moment, it chronicles an exceptional cultural interaction between California Indians in their homelands and outsiders—settlers and business investors—on November 22, 1875.

Video link