Art Break, April 13, 2021
Here are links to the Art Break with Curators Jill Ahlberg Yohe and Nicole LaBouff:
Here are links to the Art Break with Curators Jill Ahlberg Yohe and Nicole LaBouff:
A field guide of plants seen in Japanese paintings of the Edo period:
The Cross Currents tour was developed to allow more flexibility to museum visitors on the weekend. This tour is a melding of an Ask Me and a Spotlight tour assignment, and visitors are able to choose their own Mia adventure, traveling to as many tour stops as they like. As an added bonus, the Cross Currents format provides guides with a touring option that offered more engagement with visitors.
Each month, we use a different theme for the tour. The themes are broad, allowing plenty of options for selecting a key artwork or gallery to present throughout the museum.
For the tour, six to eight guides select a gallery and pick one object or a small group of objects to present around a general theme. For example, “Come to Your Senses” is a tour that explores how our senses help to tell the story of art. Guides would be stationed in their gallery for two hours and receive two credits.
The day of the tour, visitors are given a museum map with the locations of the stationed guides. Visitors move through the gallery stops in any rotation. Guides present on their object/s for about 10 minutes and then encourage visitors to move on to another stop. Additional tour maps will be available at each stop. Guides wear an “Ask Me” button and are encouraged to invite visitors to participate in the tours.
Here is a sample of the handout available to visitors on the weekends. Note this is a template that we adapt to each tour, depending on the theme and choices of the guides:
The Fall 2020 CIFocus newsletter also included a great article by guide Bryan Peffer, outlining his experience of giving a Cross Currents tour:
From your colleague Kathleen Steiger, here is a brief video from the Dallas Museum of Art on Juan Gris:
From your colleague Kathleen Steiger, a video on artist Alice Neel from the Met:
From CIF guide Nahid Khan, some researched connections to our Statue of a lion.
Here are the recording and slides from the art break on March 24, with Jean Ann Durades:
Jean Ann’s slides:
02.13.21_A_KZ_Jean Ann D_February public tour
Here is a link to the video of our required cultural fluency training on January 26, 2021, with guest speakers Michelle Edwards and Geoffrey Cohrs:
Here are the PowerPoint slides:
TO COME
If you watched the video of the training, here is a link to the feedback form to complete the requirement:
Tackling Tough Topics feedback form
The National Museum of African American History and Culture has developed a great online resource:
Check out a host of short videos from the Dallas Museum of Art, including a great short video on a Senufo helmet mask:
Here is the recording of the Art Break on January 12, 2021, regarding the quilts of L’Merchie Frazier:
And here are Nicole’s PPT slides:
Frazier Target Wing – smaller size
An article suggested by your colleague Kathleen Steiger, on artist Emma Amos from NPR:
Emma Amos Died Just Before Her Retrospective But Her Art Is Alive As Ever
Check out this excerpt on Alice Neel, from Rhodes and Murphy’s “They Are Their Own Gifts” (1978), a triptych of “film portraits” about women artists:
Alice Neel: They Are Their Own Gifts, 1978 | From the Vaults
From your colleague Kathleen Steiger, a treasure trove of 10-minute art history talks from the National Gallery in London:
Here is the video link for our anniversary celebration:
IPE Volunteers Anniversary Celebration 12.9.20
And here are the evening’s slides:
IPE 12.9.20 anniversary celebration
Here are Pujan’s slides from the presentation:
TO COME
And here are some support documents. One provides full text of photos and memories (which some had to be edited for time) and also Bill Wilson, Docent Class of 2015, has provided the full text of his wonderful poem.
Class 2015 docents Bill Wilson anapestic-poem
Here are some documents from Rose Stanley-Gilbert for the 25 year docent anniversary:
From your colleague Kathleen Steiger, a video from the Phillips:
Joan Mitchell ‘Untitled 1953’ and ‘Untitled 1979’ | New York | December 2020
From your colleague Kathleen Steiger:
Here is a recording of the Art Break for Thursday, November 19:
How the West Was Seen Art Break tour 11.19.20
Marne Zafar has also made her notes available:
From Kathleen Steiger, a video:
Docent Bill Wilson has shared a tour outline for a children’s tour focused on connecting songs to art:
Here is a link to the recording of the Art Break given by Alice Anderson, Manager of Audience Research and Impact, and Rachel Wolff, Audience Insight Analyst:
Here is a PDF of their presentation slides:
FY20 Audience Surveys Presentation_Volunteers
And here is a copy of the chat: