Martin Wong, artist information
From your colleague Rose Stanley-Gilbert, some background on artist Martin Wong, in connection to an earlier work:
From your colleague Rose Stanley-Gilbert, some background on artist Martin Wong, in connection to an earlier work:
From the Director’s Office:
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Some Hmong visitors feel that Miao is a pejorative term for the ethnic group in China to whom they are related. In response, Curator Yang Liu has provided the following information. If you encounter any questions or concerns on tours, please let us know.
Per Curator Yang Liu:
“The costumes and silver ornaments… belong to the ethnic group living in China’s Guizhou and Hunan provinces. These people are known as ‘Miao’ in China – that is not only the term used in Chinese official classification of the minorities, but also the self-designation of these people. I have visited these regions many times and know that they have no feeling that Hmong is in any way preferable to them as a common designator. No contemporary Chinese will feel that ‘Miao’ contains a sign of disrespect in any way, as the basic meaning of the word ‘miao’ in Chinese is ‘young plant’.
Although there are different opinions, some Western scholars propose that the term Hmong be used only for designating the Miao groups speaking the Hmong dialect in China (very small group) and for the Miao outside China. According to Joakim Enwall, Professor of Chinese, Uppsala University, it is these non-Chinese Hmong living outside China who advocate that the term Hmong be used not only for designating their dialect group, but also for the other groups living in China.”
Yang has also provided an article that discusses this further:
As we know, sometimes visitors just wish to express concerns, to be heard, and they may not agree with the museum’s choice of terminology. In those cases, it is good to encourage visitors to complete a comment card if they wish to receive a direct response from museum staff.
Here is some information from colleagues on Well Baby Clinic by Alice Neel:
This was a presentation at the National Art Education Association (NAEA) conference in 2023. Here are the slides shared by presenter Cindy Ingram:
Here are some resources to learn more about Norman Akers and his work:
There is some good information in the label, to at least discuss the elk’s presence:
Interference and a Tiny Spot of Hope is a presentation of the past, present, and future. Akers combines flat imagery with illusionistic space to provide an immersive and yet open-ended experience into personal, historical, and cultural issues, such as identity, disruption, dislocation, and belonging. In his paintings, Akers uses Osage stories as metaphors over illustrations, and complexity over a singular, fixed interpretation. The most prominent figure in the painting, the suspended or falling elk, is an important figure in Osage cosmology and becomes a symbol to represent ideas of being between two worlds (Osage and non-Osage), and the precarious place of being between the earth and sky, a fundamental Osage principle of balance in the world. Wind turbines found within the painting and within Osage homelands disrupt the spatial order and space between the earth and sky, and according to Akers, “obscure[d] the horizon….and the blades cut into the earth”. Other features within the painting, including tree stumps and skeletal remains along the riverbed, reference the environmental and cultural disruptions within Osage landscapes.
And here is an article about the artist:
https://www.kansan.com/arts_and_culture/theme-of-lost-identities-within-boundaries-ingrained-in-art-professor-norman-akerss-exhibit-contested-territories/article_93fade32-5e4d-11e5-864f-fb3c6c82acc4.html
And there is this video, and a painting that seems to have some similar themes:
https://www.youtube.com/watch?v=9MCaPpLxTCI
From your colleague Rose Stanley Gilbert, some information on an artist and work new to our collection:
Front Room, 2022 Pamela Phatsimo Sunstrum, Botswanian
And here is some information from Curator Dennis Jon:
Pamela Phatsimo Sunstrum-Notes
Press Release – Pamela Phatsimo Sunstrum 2022
Pamela Phatsimo Sunstrum Front Room Fact Sheet
(The above includes a link to the painting which was the inspiration for her work.)
Here is a PDF created by Kate Brenner-Adam and Dustin Stueck of Mia’s 2SLGBTQIA+ group, with current works–and planned works going on view–which fall into the LGBTQ lens:
Pride 2023 Tour Images for guides
Here is the self-guided Pride tour, on Mia’s website:
And here is gendered language guide and additional resources provided by Dustin:
Part 1 of our Spring 2023 cultural fluency training was the lecture by Dr. Jeanne Kilde, Director of Religious Studies at the University of Minnesota, on March 30, 2023. Here is a link to the recording:
Dr. Kilde provided some handouts for this session:
Religious Diversity in Minnesota Timeline (1)
Religious Diversity Overview of US Religious Landscape Final (1)
Here is a PDF of Dr. Kilde’s slides:
PPT FINAL-MIA Religious Literacy for Guides (1)
If you attended in person, you filled out a feedback form after the lecture. so you do not need to complete any extra feedback. We were able to record your attendance at the event.
If you were unable to attend, please watch the recording, then take a minute to fill out this brief feedback form to receive attendance credit for the session:
Feedback form for Part 1 of training: Religious Literacy Workshop
From Wikipedia: According to the 2000 censuses, the number of ‘Miao’ in China was estimated to be about 9.6 million. The Miao nationality includes Hmong people as well as other culturally and linguistically related ethnic groups who do not call themselves Hmong. These include the Hmu, Kho (Qho) Xiong, and A-Hmao. The White Miao (Bai Miao) and Green Miao (Qing Miao) are Hmong groups.
A short video:
Miao Textiles at the Minneapolis Institute of Arts
Here are some resources for Black History Month or for giving tours focused on African American/Black American artists:
Mia’s website compilation for Black History Month
African American artwork currently on view:
African American artist/works on view, February 2024
Walkthrough with Mia Guide Jean Ann Durades (to come)
Tour Outlines
(If you care to share tour outlines. please email to Kara or Debbi, to include here.)
From your colleague Susan Arndt, a online catalog to an exhibition of James Phillips’ works, including Cosmic Connection:
This gallery walkthrough is for the February public tour, Celebration of African American Art History.
Here is a link to the google doc, listing all African American art currently on view.
And here is the self-guided tour flyer as a reference:
Self-Guide Template Celebration of African American Art final QR
From your colleague Rose Stanley-Gilbert, some information on the inspiration for Fourth Family Octagon:
Here is a recording of the anti-ageism training with CHAI on December 13, 2022:
(VIDEO is no longer available. We only could post it for one month per CHAI.)
Note: The recording is only available for one month.
After you watch the recording, please fill out their feedback survey:
Here are the presentation slides:
to come
Here is the recording of the training for the December 2022 Cross Currents public tour, Winter Solstice:
Tour Break: Winter Solstice December Cross Currents
Here is the chat:
Chat for December Cross Currents
Here are the presentation slides, with the resources:
Tour Break_ Winter Solstice Cross Currents
And here are the best practices for engagement from guides who have given multiple Cross Currents tours, and some information and reminders about the tour format:
Best Practices for Cross Currents tours
Here is an article from your colleague, Brenda Haines:
How Elizabeth Catlett Lifted Up Black Women Through Art _ At the Smithsonian_ Smithsonian Magazine
From your colleague Kathleen Steiger, a video:
Jean Ann Durades, Rose Stanley-Gilbert, Mary Ann Wark presented on new works on view in Rituals of Resilience and Gallery 375. These are works all by Black artists. The training is 5 videos in total.
Here are also supporting materials from their talks, along with some additional resources provided by other guides:
From Rose:
Gio Swaby, Pretty Pretty 3, 2020 WORD
From Mary Ann:
mia.James Phillips Cosmic Connection 1971 2022
and with no questions/answers: mia. object file.Intertwinedwo anwers
Some information on Afrofuturism from Kay Miller: