Brown Bag for adult guides on 5.15.24
Here is the recording:
Brown Bag for adult guides 5.15.24
Here are the slides (and note, there is a link to the Tibetan Buddhist Shrine online resource in the slides):
Here is the recording:
Brown Bag for adult guides 5.15.24
Here are the slides (and note, there is a link to the Tibetan Buddhist Shrine online resource in the slides):
Here are some resources for preparing for the in-gallery (Cross Currents) May public tour:
G259
Check out info on Virgil Ortiz, Jagg and Gage, minute mark 14:30 in this new accessions video.
Jeffrey Gibson’s punching bags: Jeffrey Gibson on the origins of his beaded punching bags
Jeffrey Gibson at the Venice Biennale 2024
Rose Simpson’s monumental sculptures: Rose B. Simpson in “Everyday Icons” – Season 11 – “Art in the Twenty-First Century” | Art21
Rose Simpson at the Jack Shaiman Gallery
Avis Charley: New to Nevada: Avis Charley
The Growing Thunder Collective
Pathfinder: 40 Years of Marcus Amerman
From the New York Times: Kay WalkingStick: Reframing the American Landscape
G301 (Reimagining Native/American Art) Feel free to walk into 302 as well.
(NOTE: This exhibition closes on May 27. For the May 30 and 31st public tours, guides will station in the Prairie School galleries, G300)
Watch Jill and Bob’s training on this gallery installation.
Wing Young Huie, Kids Playing in Frogtown (see Art Adventure set, American Stories, for information)
Christi Belcourt, here is the PDF of some of the flora and fauna depicted:
It’s a Delicate Balance – flora and fauna
Eva Zeisel–Town and Country by Eva Zeisel
Eva Zeisel in Chicago Tribune: EVA DOES IT
Charles Biederman: The Sage of Red Wing
G364 (American Gothic)
From the Mia blog: The Minnesota legacy of Gordon Parks, a life of seeing and being seen
Here is a link to the training with Curator Casey Riley, from January 9:
Training on Gordon Parks exhibition
Here are the panels, labels, and subpanels in the exhibition:
GCA242167_GordonParks_Panels V2
GCA242167_GordonParks_SubPanels FINAL
GCA242167_GordonParks_Labels FINAL
G373 (and feel free to wander into G374)
Check out Dennis Jon’s training on Part 2 of this Collage/Assemblage exhibition.
If you go into G374, Joe Minter’s assemblage provokes lots of conversation. Learn more about Joe Minter by listening to Mia’s podcast, The Object: Yard Show: The World According to Joe
An article on Rose Simpson’s new monumental clay figures:
From your colleague Marne Zafar, a tour outline shared for her tour of Diane Wilson’s The Seed Keeper:
Here are some resources for the February in-gallery public tour, Celebrating African American Art, as part of Black History month celebrations.
First, here is a link to all African American art currently on view at Mia (updated for March 2024).
Here is a link to the Cross Currents public tour sign-up, where gallery assignments are noted.
Here is the training by Jean Ann Durades on January 18:
Part 3: G353 (not on Cross Currents, but good artworks to include on BHM private tours)
2024 self-guided tour flyer:
2024 Self-Guide Template Celebration of African American Art QR final
Here is a link to Bisa Butler’s talk.
From your colleague Marne Zafar, a detailed tour outline:
Black Heritage-History Tour Notes FEB 2024
Galleries 303 (also can access 301, 302, and 304)
Nellie Mae Abrams, “Housetop” quilt
Gee’s Bend quilt information, Mia blog
Lamar Peterson: A Self-Portrait
Leslie Barlow (move ahead to 10 minutes in the video): studio visit
Leslie Barlow’s MAEP exhibition and her talk, recorded
Renee Stout, Biography (also includes a pic of Soul Regenerator)
Object file on Henry Bannarn’s Cleota Collins
Gallery 322
Bisa Butler, I Know Why the Caged Bird Sings
Notes from Josie Owens from a convo with Bisa Butler:
“Bisa tried to imagine their past and future personalities. The symbols refer to how she sees them. The fan is a symbol of success. In Ghana in the markets the more lucrative businesses have electricity and can offer fans to their customers. This woman will be a successful businesswoman. The hearts are on the skirt of the woman who looks like the kind friend. The bling is for the woman who is the fashionista. The high heels refer to Michelle Obama’s inauguration heels. She’s a leader and powerful. She said that she had to redo the face of the fan woman. She didn’t like how she looked.”
Video of Jean Ann’s tour, including Joshua Johnson’s painting. (and Bannarn’s Cleota Collins)
Video: Patsy Rembert introduces ‘Winfred Rembert. All of Me’ in New York
From the Mia blog: “I wanted people to know”: The moving history behind Winfred Rembert’s “The Beginning”
From Kate Christianson, a great documentary about Rembert now streaming online at Amazon Prime:
All Me: The Life And Times Of Winfred Rembert
Galleries 364/365: American Gothic: Gordon Parks and Ella Watson
From the Mia blog: The Minnesota legacy of Gordon Parks, a life of seeing and being seen
Also, from The Object podcast: to come
Here is a link to the training with Curator Casey Riley, from January 9:
Training on Gordon Parks exhibition
Here are the panels, labels, and subpanels in the exhibition:
GCA242167_GordonParks_Panels V2
GCA242167_GordonParks_SubPanels FINAL
GCA242167_GordonParks_Labels FINAL
PBS video from Jean London:
Why Gordon Parks’ Most Famous Photo Almost Wasn’t Released
From Rose Stanley-Gilbert:
https://www.npr.org/sections/
Background on the FSA:
Galleries 375 (also can access G376)
A catalog of James Phillips’ works that includes Cosmic Connection
Joe Overstreet’s work discussed (28:24 on video) in Curatorial training in 2019
William Edmondson, Ram (see Jean Ann’s tour video posted under G322–and check out the Art Adventure set, Artist’s Inspirations, of which the Ram is part.)
Curator Bob Cozzolino’s training on Bob Thompson and Beauford Delaney: Kunin Collection Focus on Bob Thompson, January 10, 2019
Some information from your colleague Terry Edam:
From your colleague Manju Parikh, an article that includes research on George Morrison:
From your colleague Brenda Haines:
For Max Beckmann, Art’s Ironist, Crisis and Rediscovery – The New York Times
From your colleague Lyn Osgood, an article on the Osage clothing (including wedding wear) in the movie Killers of the Flower Moon.
‘Killers of the Flower Moon’ and Scorsese’s Bride Like No Other
A new research resource from your colleague Kay Miller:
New World Objects of Knowledge compressed
“A stunning, richly illustrated hardback cataloging key artifacts from across Latin American art, nature, and history.
From the late fifteenth century to the present day, countless explorers, conquerors, and other agents of empire have laid siege to the New World, plundering and pilfering its most precious artifacts and treasures. Today, these natural and cultural products—which are key to conceptualizing a history of Latin America—are scattered in museums around the world.
With contributions from a renowned set of scholars, New World Objects of Knowledge delves into the hidden histories of forty of the New World’s most iconic artifacts, from the Inca mummy to Darwin’s hummingbirds. This volume is richly illustrated with photos and sketches from the archives and museums hosting these objects. Each artifact is accompanied by a comprehensive essay covering its dynamic, often global, history and itinerary. This volume will be an indispensable catalog of New World objects and how they have helped shape our modern world.”
From your colleague Rose Stanley-Gilbert, some background on artist Martin Wong, in connection to an earlier work:
Here is some information from colleagues on Well Baby Clinic by Alice Neel:
This was a presentation at the National Art Education Association (NAEA) conference in 2023. Here are the slides shared by presenter Cindy Ingram:
Here are some resources to learn more about Norman Akers and his work:
There is some good information in the label, to at least discuss the elk’s presence:
Interference and a Tiny Spot of Hope is a presentation of the past, present, and future. Akers combines flat imagery with illusionistic space to provide an immersive and yet open-ended experience into personal, historical, and cultural issues, such as identity, disruption, dislocation, and belonging. In his paintings, Akers uses Osage stories as metaphors over illustrations, and complexity over a singular, fixed interpretation. The most prominent figure in the painting, the suspended or falling elk, is an important figure in Osage cosmology and becomes a symbol to represent ideas of being between two worlds (Osage and non-Osage), and the precarious place of being between the earth and sky, a fundamental Osage principle of balance in the world. Wind turbines found within the painting and within Osage homelands disrupt the spatial order and space between the earth and sky, and according to Akers, “obscure[d] the horizon….and the blades cut into the earth”. Other features within the painting, including tree stumps and skeletal remains along the riverbed, reference the environmental and cultural disruptions within Osage landscapes.
And here is an article about the artist:
https://www.kansan.com/arts_and_culture/theme-of-lost-identities-within-boundaries-ingrained-in-art-professor-norman-akerss-exhibit-contested-territories/article_93fade32-5e4d-11e5-864f-fb3c6c82acc4.html
And there is this video, and a painting that seems to have some similar themes:
https://www.youtube.com/watch?v=9MCaPpLxTCI
From your colleague Rose Stanley Gilbert, some information on an artist and work new to our collection:
Front Room, 2022 Pamela Phatsimo Sunstrum, Botswanian
And here is some information from Curator Dennis Jon:
Pamela Phatsimo Sunstrum-Notes
Press Release – Pamela Phatsimo Sunstrum 2022
Pamela Phatsimo Sunstrum Front Room Fact Sheet
(The above includes a link to the painting which was the inspiration for her work.)
Here are some resources for Black History Month or for giving tours focused on African American/Black American artists:
Mia’s website compilation for Black History Month
African American artwork currently on view:
African American artist/works on view, February 2024
Walkthrough with Mia Guide Jean Ann Durades (to come)
Tour Outlines
(If you care to share tour outlines. please email to Kara or Debbi, to include here.)
From your colleague Susan Arndt, a online catalog to an exhibition of James Phillips’ works, including Cosmic Connection:
This gallery walkthrough is for the February public tour, Celebration of African American Art History.
Here is a link to the google doc, listing all African American art currently on view.
And here is the self-guided tour flyer as a reference:
Self-Guide Template Celebration of African American Art final QR
From your colleague Rose Stanley-Gilbert, some information on the inspiration for Fourth Family Octagon:
Here is the recording of the training for the December 2022 Cross Currents public tour, Winter Solstice:
Tour Break: Winter Solstice December Cross Currents
Here is the chat:
Chat for December Cross Currents
Here are the presentation slides, with the resources:
Tour Break_ Winter Solstice Cross Currents
And here are the best practices for engagement from guides who have given multiple Cross Currents tours, and some information and reminders about the tour format:
Best Practices for Cross Currents tours